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about charlotte

Charlotte Mendelson was born in London and grew up in Oxford.

Her fifth novel, The Sunday Times bestselling The Exhibitionist, was longlisted for the Women’s Prize for Fiction and was The Times Novel of the Year 2022, as well as a book of the year in The Guardian and Good Housekeeping.

Her other novels include Wife, her most recent, and Almost English, which was longlisted for both the Man Booker and the Women’s Prize for Fiction; When We Were Bad, which was shortlisted for the Orange Prize for Fiction and was a book of the year in The Observer, The Guardian, The Sunday Times, The New Statesman and The Spectator. Her second novel, Daughters of Jerusalem, won both the Somerset Maugham Award and the John Llewellyn Rhys Prize; she was also shortlisted for the Sunday Times Young Writer of the Year Award and the Geoffrey Faber Memorial Prize, and was chosen as a Waterstones 25 Authors of the Future. She is also the author of Rhapsody in Green, a memoir of gardening obsession. Her books have been translated into nine languages, and she is a fellow of the Royal Society of Literature.

Charlotte worked in publishing for twenty years, has been a columnist for The New Yorker and The Financial Times Weekend and currently has a fortnightly column about nature, gardening, food, craft and travel for The Observer. She has also written extensively for The Guardian, The Times, The Sunday Times and elsewhere, and broadcasts frequently for BBC Radio 4 and 3. She lives in London.

INTERVIEWS

  • Gardening with the FT: Charlotte Mendelson.Wwhy her garden is all about ‘growing stuff that I can eat.’ Read

  • Charlotte on her novel, Wife, about a disintegrating lesbian partnership and motherhood. Listen

  • Charlotte discusses The Exhibitionist. Listen

  • ‘I wasn't posh and I wasn't confident, and I was really hideous' Charlotte talks to Aida Edemariam at The Guardian. Read

‘Mendelson's novels inhabit similar territory to those of Maggie O'Farrell, with the same capacity for extreme noticing, the same profound emotional intelligence shaping the characters and driving the narrative. But Mendelson's world is sharper, her sense of the world a little more cynical’

— Observer

‘Charlotte Mendelson is among the greatest villain-creators of contemporary fiction’

Alex Clark, The Guardian

‘Mendelson has a rare gift when it comes to bringing her characters alive’

Erica Wagner, The Times

‘Mendelson’s reflections on family and identity are both poignant and effortlessly profound’

— Mail on Sunday

A lasting literary talent’
 
— Harper’s Bazaar

‘Charlotte Mendelson is much admired by the cognoscenti...ought to be a bestseller. The [Booker] shortlist should comprise McCann, Tóibín, Mendelson, Crace, House and Catton and Mendelson’s the one that everyone will read and love’

Philip Hensher, Spectator

‘Mendelson’s writing is a joy’

Viv Groskop, Observer

‘Mendelson has an ear for unexpected vocabulary and occasional outrageous and starting simile, but her real talent is poetic, for barbed language and a sense of metaphor that’s unerring’

— Glasgow Herald

‘The multi award-winning Charlotte Mendelson is famous for whipping up the hottest, messiest, family dramas a writer of literary fiction can... This is late Shakespeare meets Modern Family and it's irresistible’

The Times

‘A hugely gifted writer’

— Sunday Times

‘The award-winning Charlotte Mendelson is in a class of her own’

— Tablet

‘One of Britain’s most exciting writers’

— Forward (US)